時間無情地向前走，但記憶能否無憾地留在那一日？延續《呼～》長鏡頭式的創作試驗，邵知恩這次探索的不是鏡頭裡人物與時空的互動，而是在鏡頭之外以年為單位的時間跨度和心理變化。迷惘少女玲在某夜驀然與四年前的自己相遇，促膝談心，各懷千言萬語，卻不知從何說起。如果今天的我們能跟當時的自己對話，想表達的是後悔還是鼓勵？假如那時的我們能向現在的自己發問，說出口的是關懷還是疑惑？這不是流行的穿越劇，而是帶着苦楚的藍調，反躬自問，何去何從。

After his identical twin dies of a drug overdose, his guilt-ridden brother must return to his hometown to clean out his brother's apartment, where he's forced into an uneasy relationship with another drug addict-his dead twin's girlfriend.

In Igor Smola’s speculative eco-doc, the pumpjacks, pipes and coolers that extract oil from the earth seem to speak directly to the viewer, narrating their experiences of harvesting the fuel upon which humans have become so critically dependent. Drawing on the thoughts of philosopher Reza Negarestani, My Name is Oil presents the substance as a metaphysical entity with seemingly mystical qualities, channelling the spirits of the many plants and animals whose decay has facilitated the creation of this apparently miraculous material. Capable of seeing the future, the rig’s machinery attempts to alert its human operators to a looming disaster, but caught up in their business — and distracted by the camera — the workers whose lives hang in the balance seem unable to tune into their frequency.

Reality competition show that followed several families to find the next greatest sitcom.

Young art student Alex chose to make their graduate thesis project about a local DIY scene legend named Beaver. What was supposed to be a fun day of filming in the company of their childhood hero turns into an existential crisis, and an alarming wake up call to the world that awaits them after graduation. A biting commentary on late-stage capitalism, modern alienation, and the cross-generational bonds that form between two outsiders trying to exist on their own terms.